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Apr 25 Friday
Candace Nicol Garlock works in many mediums. The coalescence of printmaking techniques, painting, photography (and sculpture, too!) overlap and converge with color, texture, and line in a collaboration of mixed, experimental beauty. With her appreciation of the interconnectedness of everything, she elevates relationships: human and environment, human and animal, human and human.
Garlock was was diagnosed with multiple sclerosis in 2011, after many years of unexplained symptoms. In her work she explores the effects of the autoimmune disease "and the play between the nervous system and immune system, beginning to find beauty within the acceptance of pain.”
February 21 through April 26. Times might vary. In the Fine Arts Gallery.
Celebrate the vibrant cultural tapestry of Las Vegas with this art exhibition, showcasing the city’s rich heritage through diverse artistic perspectives. Featuring works by local artists, it highlights connections to and experiences with nature. It runs April 1–30.
Apr 26 Saturday
Apr 27 Sunday
Apr 28 Monday
Apr 29 Tuesday
Apr 30 Wednesday
May 13 Tuesday
The Marjorie Barrick Museum of Art is proud to present Color Made, an exhibition of 19 artists who use color to define and reshape the world. Manipulating bright shades of blue, red, pink, yellow, and green across different mediums such as painting, fabric sculpture, and cast glass, these artists establish spaces where they can create narratives and build community connections. By choosing to cover a surface with color—or by making the color and the surface indivisible—they experiment with the idea of painting, turning the traditional painters’ canvas into an independent, manipulable form and asking if other materials can play the same role.
Runs through May 17.
The Marjorie Barrick Museum of Art is proud to present Yoko Kondo Konopik: On Canvas. Spanning decades, On Canvas is the first major museum exhibition to explore the practice of this Las Vegas-based abstract artist. Viewers will have an opportunity to see the full range of Konopik’s mature oeuvre, encompassing paintings from the early 1980s to the present.
Trained as a painter at ateliers in Tokyo and Paris, Konopik has spent almost half a century refining her personal lexicon of minimalist curves and lines. Her abstractions respond swiftly to opportunities for mark-making, finding humor in unexpected shape-shifts and rich moments of color.