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Apr 16 Thursday
Selecting for specific wavelengths from the prismatic spectrum of color in natural light produces Austine Wood Comarow's color palette. Colors plucked from light are vibrantly alive and will shift and change as the filters rotate or as the viewer moves about, making the perception of the art an active component of the work.
After Austine’s sudden passing in 2020, Cara, Erika, and Charlotte kept up the family legacy as the artists of Austine Studios until it closed in 2025.
The nearby Spring Mountains Visitor’s Center, just outside Las Vegas on Mt. Charleston, features a 75-foot-long Polage art mural celebrating the flora and fauna of the desert that inspired so much of her work.
Apr 17 Friday
Enjoy an art session in the surrounding beauty of Corn Creek. Nature journaling is a meaningful way to connect to a place and to record our surroundings with data and creativity. Artist in Resident, Jess Moore will share basic nature watercolor journaling skills and provide prompts to guide your work. All materials provided. All ages invited. Be prepared for casual exploration outdoors on the Corn Creek trails.
More info, possibly, at Get Tickets.
Apr 18 Saturday
The theme theme for this year's Las Vegas Arts District Chalk Festival is "The heARTs District. " The sidewalks will be alive with art, vendors, activities, contests, food and more! More than 60 artists will be chalking the sidewalks from Wyoming Avenue to the Arts Factory on Main, Imperial Avenue and Commerce Streets. You can vote for your favorite piece. Listen to music, shop the vendors market, and take the kids to interact with the artists in the Kidz Zone.
Free. Learn more at "Get Tickets."
This immersive exhibition of photographic works by Keeva Lough invites the viewer to contemplate history, gender, and violence by focusing on toys, nick-knacks, and dolls. These innocuous objects - plastic “cowboys and Indians,” porcelain depictions of colonial scenes, little army men and police officers - are considered as conveyors of ideology that inform our assumptions about American society.
The photos are high contrast and filled with deeply saturated colors; some are rendered in red-and-cyan 3D, emphasizing their artificial spectacle. Individual photographs are framed in thrifted wooden frames painted gold. Others are printed as wallpaper covering the walls of the gallery, calling attention to the invisible backdrop of ideas making up our conceptions of the world.
Apr 19 Sunday
Apr 20 Monday
Apr 21 Tuesday
Apr 22 Wednesday