Dedicated to Black music reclamation and exploration, Biscuits & Banjos is a new music festival curated by Grammy-winning artist Rhiannon Giddens. The festival took place this past weekend in Durham, N.C., and featured artists like Taj Mahal, Infinity Song, Rissi Palmer and a Carolina Chocolate Drops reunion. It also incorporated Durham's Black history with a walking tour of Black Wall Street, panel discussions, square and line dancing, and a juke joint-themed party with drag performances.
Durham-based photojournalist Cornell Watson photographed the festival and shared his experience.
What motivated you to photograph this event?
Watson: Between Beyoncé's album Cowboy Carter and 803Fresh's song "Boots on the Ground," it's not hard to notice that Black people are rediscovering joy in the folk, country, blues and Americana music scenes. I loved the idea that Biscuits & Banjos unapologetically centered Black people, and I wanted to document how we were experiencing this invitation to reclaim and take up space here. As a Black person, this festival felt like a warm hug, and I think the photos support that feeling.
What's the story behind your favorite photo from the festival?
It's hard to pick one because the "Sweet Molasses Juke Joint" party photos are giving so much energy, but since I can only pick one, I'm going with the photo of the original members of the Carolina Chocolate Drops performing together for the first time in over 10 years. I wanted to make something to capture their energy, so I dragged my camera shutter to make light trails from the light that was reflecting on them and their instruments.
Was there anything that surprised you while photographing?
Yes, I had no idea how fun square dancing was. It's like "Simon Says" for adults. There was so much happiness in the room during the "Friday Night Frolic: Square and Line Dance with Rhiannon & Friends." I'm going to recall all the smiles and laughter I saw next time McDonald's messes up my order and gives me honey mustard instead of pure honey.
Any other interesting anecdotes or experiences you would like to share?
I love how the festival offered free programming, making it accessible to the entire community. Amythyst Kiah, Tressie McMillan Cottom, Michael Twitty and so many other great musicians and intellectuals all for free-ninety-nine. I spent so much time running between all the festival programming that I forgot to go eat some biscuits. My soul was full but my belly, not so much. Maybe next year.
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