"I want them to be like ... this is the music she makes. And she just happens to be gay and happens to love soul music and happens to love folk, and it kind of all works.' "
There are a lot of great guitar and drum duos - The Black Keys, The White Stripes - but none of them can say their drummer plays standing up, or that their guitarist plays the bass line with his feet.
The Band's songwriter and Scorsese have been friends and collaborators since they first worked together on The Last Waltz in 1976. This year, Robertson scored The Irishman.
The slide guitar maestro announces a new album in his World Cafe session. It's tentatively scheduled for release in February 2020 and includes a song called "Mule."
You don't want to ask silly questions, but sometimes a silly or lighthearted question is a great way to learn something about a band. Our audience takes over in this interview.
Townshend talks about his debut novel, how it relates to The Who's rock opera, Tommy, and what he'd say now to his younger self – the one who wrote the lyric "I hope I die before I get old."
Hear the band's AmericanaFest performance, drawing from its 2013 comeback album, In Time, as well as an interpretation of the John Anderson tune "Swingin'."
The bluegrass guitarist, vocalist and songwriter treated the AmericanaFest Day Stage to songs from her debut full length album, plus an extra folk standard to boot.
Wilson talks about working with The Black Keys' drummer, her extensive musical background and why she wouldn't want to make music anywhere but Nashville.
Songs from Wynton Marsalis, Radiohead's Thom Yorke and a pulpy score from Daniel Pemberton all help set a noir scene for the film's 1950s New York setting.
On her latest EP called Imposter, the singer-songwriter cherry-picked the five songs she loved most from what she had written since her last album in 2016.
