It's the superstar's first song in three years, after releasing a string of collaborative singles in 2017 with artists like DJ Khaled, Kendrick Lamar, Future and N.E.R.D.
On his new album, the rising pianist once called "Iceland's Glenn Gould" offers a dialogue between two radical French composers born nearly 200 years apart.
We extended our deadline: You now have until until 11:59 p.m. ET on April 27 to enter the Contest. Our favorites this week include a groovy protest song, a folksy breath of fresh air and more.
Music can help us deal and we can help musicians, too. On our weekly playlist, we're spotlighting independent artists and providing links for you to help support their music.
Plans for a world tour are on hold, but the band insists that a new album is coming this year — no matter what. In the meantime, hear its first new song since 2011.
The world's gushing hot garbage, so hate-spewing black metal must be the remedy. Plus new music from Control Top, Horse Lords and the return of We Versus The Shark.
A quarter-century after it first formed, the storied ensemble of Joshua Redman, Brian Blade, Brad Mehldau and Christian McBride reunites. Hear a premiere now.
When parts of reality seem unfathomable, music always makes sense. New music from Alex Isley, Childish Gambino, Melanie Faye and more on this week's Heat Check.
In a time of striving to keep ourselves and our environments pathogen-free, Our Daily Breather seeks guidance on the health of the psyche. Tom Huizenga has been turning to a calming piano performance.
Williams delayed the full release of Petals For Armor, but still shared a new track with guest vocals from Julien Baker, Lucy Dacus and Phoebe Bridgers
SXSW is usually a great place to discover new artists. When this year's festival was canceled, we asked unsigned artists who were planning to go to enter the Tiny Desk Contest. Here are their entries.
Singer-songwriter Andrea Silva is enormously adept at dreamy, languid balladry. Even when crisp, gorgeous guitars dominate the mix, it's hard not to hang on her every word.
Tomás del Real's songs possess the gentle sway of the Chilean folk music in which he's steeped, but they're also burnished with notes of jazz and influences that stretch to the U.S. and Europe.
Derince plays a stringed instrument called an elektrobağlama — think of a long-necked, amplified lute — that lends his arrangements a springy sense of playfulness
Led by singer-guitarist Dimitri Giannopoulos, the band's songs sound hypnotically beautiful, with arrangements that magnify small narrative details into big, booming moments of catharsis.
"Creatures," from Malco's forthcoming full-length debut, taps briefly into the singer's softer side, but uses it primarily as a foil for a soaring string of marvelous, ever-grander choruses.
At the helm of Why Bonnie, Blair Howerton writes glossy, synth- and string-inflected guitar-pop songs that fit a mighty, beating heart underneath all the gleaming hooks.
