A hotel clerk (Tye Sheridan) hides a secret during a murder investigation in a film that explores the affinity between cinema and voyeurism flatly and without nuance.
The premise — young Belgian Muslim sets out to murder one of his teachers — has drawn sharp criticism; the film itself is "hugely flawed" but more thoughtful than the controversy surrounding it.
Autumn de Wilde's adaptation of the Jane Austen classic is as clever and rich as its famous heroine — in part, because its actors are so good at finding fresh nuances in this timeless material.
In Tbilisi, Georgia, two male dancers in the national dance ensemble embark on a secret love affair. It's a fairly straightforward drama of first love — enhanced by the vitality of the setting.
Lesley Manville and Liam Neeson bring a wry, lived-in tenderness to this "imperfect but affecting" tale of a long-married couple facing cancer together.
Peg (Zoey Deutch) goes into the debt-collection business in a comedy that focuses so narrowly on its self-absorbed main character that the world around her fades to obscurity.
Levan Akin's tale of two male Georgian dancers who find happiness in stolen moments together goes through all the usual dance-movie paces, but the chemistry between its two leads is strong.
Set in Leningrad shortly after World War II, Beanpole centers on two women who find themselves deeply scarred by their wartime experiences with the Red Army.
Like its main character Harley Quinn (Margot Robbie), Birds of Prey is frenetic and wildly uneven — but the bone-crunching fight scenes zip by so fast it never wears out its welcome.
Stephanie (Blake Lively) trains to become a super-assassin to avenge the murder of her parents in this well-paced, well-directed, but poorly scripted Bond knockoff.
In this "quietly shattering drama," a young woman (Julia Garner) learns that her new boss is a serial sexual predator; her efforts to call him out meet with indifference and hostility.
A young woman grows increasingly uncomfortable working for a movie mogul reminiscent of Harvey Weinstein. The drama explores how easy it is for powerful people to exploit absolute authority.
In this loose, grisly adaptation of an H.P. Lovecraft story, a family undergoes a series of mutations while Nicolas Cage gets increasingly unhinged; the result is "a gory mess."
Guy Ritchie returns to the genre he made his bones on, and the film's "rigorous and largely circular" plot is fun; more fun than McConaughey's undercooked performance, anyway.
Makoto Shinkai's latest animated feature doesn't live up to his hit Your Name, with which it shares many plot similarities. But it speaks to anxieties about climate change in a captivating way.
Robert Downey Jr.'s first post-Marvel-Universe foray "is a not a film. Dolittle is a crime scene in need of forensic analysis. Something happened here. Something terrible. Something inexplicable."
Sam Mendes filmed his suspenseful beat-the-clock thriller in what appears to be one continuous take. It's an impressive feat — but it makes the WWI movie feel like an overly polished one-shot wonder.
Loosely based on the story of real-life psychiatrist who treated three patients who believed themselves to be Jesus, Jon Avnet's film clings to glib Hollywood cliches about mental illness.
