Writer-director Jennifer Reeder's soon-to-be cult hit is "Twin Peaks as recast through the lens of radical feminism, if not nearly as academic as that sounds."
Writer-director Céline Sciamma's gorgeous new costume drama centers on the relationship between a young female artist and the woman she's been commissioned to secretly paint.
There's one month left of 2019 and another 40 or so would-be blockbusters and awards contenders that Hollywood will be unwrapping during the holiday season.
Michael Apted's latest installment of his extended documentary/social experiment — revisiting a brace of British children every seven years — finds them ruminating on life, death and Brexit.
Director Malina Matsoukas' debut feature, about a black couple on the run, is "more interested in myth-making than storytelling," with striking visuals and an increasingly implausible narrative.
Writer-director Rian Johnson has a triumph with Knives Out, a murder mystery featuring a sprawling cast having a brilliant and beautifully designed good time.
Writer-director Rian Johnson's deliriously entertaining comic detective story brings together an all-star cast and an ingeniously plotted crime story whose every twist catches you by surprise.
Director Marielle Heller's new film, starring Tom Hanks, casts a spell with the lightest of touches. Drop your skepticism; this film feels like an encounter with Fred Rogers himself.
The simultaneous openings of Frozen 2 and the Mr. Rogers bio-pic A Beautiful Day In The Neighborhood offer a chance to talk about the changing nature of children's entertainment.
Marielle Heller's new film isn't Fred Rogers' story — it's the story of two damaged outsiders (Tom Hanks and Matthew Rhys) finding a connection that overcomes the darkness in their childhoods.
In "the most conventional movie of [director Todd] Haynes' career," Mark Ruffalo plays a lawyer taking on DuPont. The film distills years of litigation into an urgent story.
Yes, there's another earworm-ballad, but the sequel at least attempts to course-correct for the pernicious princess obsession that Disney unleashed on the world in the first place.
Life doesn't go according to plan for the family at the center of this wrenching drama. But while Waves doesn't peddle easy redemption, it does offer what feels like a state of grace.
Both didactic and engrossing, director Scott Z. Burns' film about the investigation into post-9/11 CIA interrogation techniques stars Adam Driver as an idealistic Senate staffer.
Matt Damon and Christian Bale star in the story of Ford's attempt to create a car that will best Ferrari at Le Mans in this "rollicking" "wildly entertaining" film.
In Bill Condon's film set among London's septuagenarian set, Ian McKellan attempts to con Helen Mirren out of her fortune, but we're always one step ahead of the story.
Writer-director Elizabeth Banks' take on the franchise plays "like a campy, under-budgeted 'Mission: Impossible,' " that loses momentum whenever Stewart is off-screen.
Two deeply personal films from Cameroonian Rosine Mbakam won critical acclaim in the U.S. by grappling with how families maintain traditions in a time of global migration and generational change.
