Like a good mixtape from a friend, performances by David Greilsammer tend to range widely in repertoire and surprise with cunning juxtapositions. On a recent album for example, the Israeli pianist alternated sonatas by avant-garde pioneer John Cage and baroque master Domenico Scarlatti.
For this Tiny Desk appearance, Greilsammer assembles similarly strange bedfellows. He begins with his muse Scarlatti, the 18th-century Italian whose 500-some keyboard sonatas are compelling, colorful snapshots of his decades-long service to Spanish royalty. In the Sonata in E, you can hear a little street band processing along with trumpet fanfares. Greilsammer follows by jumping ahead 175 years to the eccentric Frenchman Erik Satie, who not only owned seven identical gray velvet suits but, with a freewheeling spaciousness and humor in his music, is often thought of as the precursor to everything from minimalism to new age. His series of mysterious pieces called Gnossiennes strike a particularly sedate mood, capable of neutralizing any source of anxiety.
Lastly, Greilsammer takes a left turn to Leoš Janáček, the idiosyncratic Czech composer from the early 20th century, acclaimed for his operas. He set one of them on the moon; another, the dramatically taut and emotionally wrenching Jenůfa, is perhaps the most undervalued opera of a generation. But Janáček also wrote in smaller forms. His piano cycle On An Overgrown Path plays out like a diary of musings, nervous tics, simple pleasures and mysteries. Within the claustrophobic tension that pervades "The Barn Owl Has Not Flown Away," you can hear the rustling of wings and the repeated four-note bird call.
For Greilsammer, who recently performed in a working crypt in Harlem, threading these disparate musical fabrics together comes as naturally as, well, playing behind a desk in an office building.
Domenico Scarlatti: "Sonata in E, K. 380"
Erik Satie: "Gnossienne No. 3"
Leoš Janáček: "The Barn Owl Has Not Flown Away" (from On An Overgrown Path)
David Greilsammer (piano)
Producers: Tom Huizinga, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Alyse Young; Production Assistant: Salvatore Maicki; Photo: Jennifer Kerrigan/NPR
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