Ruthie Tompson's painting and animation work at the Walt Disney Company dates back to the 1920s — from Snow White and the Seven Dwarfs to The Rescuers.
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Born in Flames was made by pioneering underground filmmaker Lizzie Borden. She vanished from screens for decades, and now her work is being rediscovered.
What began as an explosive social media thread about two women's Florida road trip gone wrong, becomes a provocative and stylish comedy of errors on-screen.
The eclectic, prolific and beloved brother-brother pop duo is marking 50 years this year – but, somehow, you've never heard their music? Let's fix that.
Film critic Monica Castillo reflects on the glaring absence of Afro-Latino actors from the new screen adaptation of In the Heights and how colorism still affects Latino representation on screen.
Ramos says Lin-Manuel Miranda's Broadway musical In the Heights filled him with hope. Now he's starring — and singing and dancing and rapping — in the film adaptation.
TV critic Eric Deggans says the Oscar-winning actor whose career has been rooted in films based on U.S. history needs to take responsibility for helping dismantle the notion of white exceptionalism.
Hollywood director Jon M. Chu got his start splicing VHS tapes of home videos, but it took him two decades — and acceptance of his cultural identity — to realize what stories he really wanted to tell.
Emma Stone gives her all in a tricky role as the puppycidal fashionista of Disney's Dalmatians franchise. Cruella isn't a bad movie, but it fails to make its protagonist bad enough.
Our Nigerian critic wants you to know: We Africans do not see wild animals in our backyards! Women are allowed to own businesses! But I did admire the awesome head-ties — and powerful princesses!
